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Bayrām Khān (1509–61) was not only a battle-hardened warrior and clever statesman, he was also a poet and such an outstanding poet in Turkish that his poems deeply affected people. The force of his poetry is well illustrated by the story of how he comforted Shāh-qulī Maḥram Baharlu, a celebrated warrior of his age. Shāh-quli, who was a distant relative of Bayrām Khān, became famous for capturing the enemy commander Hemu in the second battle of Pānipāt (1556). Regardless of how battle-hardened a soldier he was, he had a weakness for young boys. He fell in love with a handsome dancer called Qabūl Khān. But Akbar didn't approve of this kind of relationship and ordered the boy to be taken away. The love-stricken Shāh-quli was deeply hurt and subsequently resigned from imperial service. He left behind his wealth and renounced worldly pleasures to become a yogi in the woods. In order to pacify and console him, Bayrām Khān composed a ghazal in Turkish and followed him into the jungle. According to Abū'l-Faḍl, his poem moved Shāh-quli so deeply that Shāh-quli became himself again and immediately returned to imperial service.

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Kadam Rao Padam Rao is the earliest available manuscript in Dakhini masnavi of 4000 lines, written during 1421-1434 AD, by Fakhruddin Nizami of Bidar.

It contains a Sufi tale designed to describe the soul's present state and its liberation, in the form of an exciting story: King Kadam Rao wants to learn yoga. But the shrewd yogi bans the king's soul into a parrot, slips into the king's body and rules in his place. The vizier Padam Rao notices it, searches the King and finally finds and frees him